![]() I am not so familiar with his entire filmography, but I bet he could have or did play a great antagonist. Heartthrobīen Cross (Father Michael) is looking young (younger) and fit af. It’s clear now thanks to history and court records of the literal billions of dollars in settlements since the nineteen fifties, that the Demon obviously didn’t understand the demographic it was trying to seduce. The Demon manifesting itself as a beautiful red-headed woman with a sheer shawl is about as gratuitous as it comes. From Creepshow to Lincoln, he’s a force of acting that will be truly missed on the screen (he passed earlier this year). ![]() The incomparable Hal Holbrook (Archbishop Mosely) has a body of work worth exploring. William Russ (Luke) was Cory Matthews’ dad in Boy Meets World, and Derek’s father in American History X. Stern) may be most memorable for his pathetic character in Deliverance, or the bumbling Otis in the Christopher Reeve Superman. Famous Facesīen Cross (Father Michael) played Spock’s father in JJ Abrams Star Trek, he was also Barnabas Collins in the nineties iteration of the Dark Shadows TV series. The script ends up tidy but fails to break any new (old?) ground. ![]() The inverted evisceration and immolation are impressive as well. As well as a proper creepy statue of the Immaculate Heart of Mary. There are some pretty great effects, though not an abundance of them, especially the shredded throat in the opening. It’s easy to tell when a film drops some exposition that hasn’t been fully researched. It may be for the best, as keeping the demons and “Satanists” generic and based on mythological fear instead of reality, there are no traps of disbelief. Though the film is set in New Orleans, and you can tell this from the B-Roll footage, there isn’t much attempt to introduce the character of a location so ripe with lore. I must applaud them for avoiding the trope of “him” looking out for the priest, and taking it in a more sinister direction. Our lead holy roller, Father Michael (Ben Cross) has recently survived the impossible, a fall from many stories up. This under-the-radar demon party is better than I expected, and most of that can be attributed to some really fantastic casting. So it’s no wonder that so many horror films utilize these built-in fears and nightmares. ![]() The most famous of all being a man nailed to a wooden cross. It represents thousands of years of torture and torment. There is an intrinsic horror built into religious iconography. Let’s dig into 1988’s “The Unholy”, directed by Camilo Vila! As I See It A killer cast and strong performances make an otherwise cookie-cutter religious horror enjoyable, despite the lack of big scares.Ī priest in New Orleans survives an impossible fall and is confronted by demons at his new parish. ![]()
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